(Updated July2015 Berlin)
CASE STUDY:
Kehinde Wiley Character Approved Commercial Kehinde Wiley Character Approved Commercial USA Network
http://youtu.be/xu03cYbvlAA
Kehinde Wiley | The World Stage: Israel | The Jewish Museum NYC
http://youtu.be/Pa8P3d1bV-g
VIDEO 1HOUR46MIN
The Global Africa series presents international artists who are engaging with Africa in their work. New York-based artist Kehinde Wiley talks about his portraits of contemporary urban African, African-American, and Afro-Brazilian men in heroic poses. Painted in the style of Old Master portraits, these works reveal aspects of urban identity around the world. Wiley focuses his discussion on his World Stage: Lagos-Dakar series and his recent portrait series of African footballers from the 2010 World Cup.
A conversation between Wiley and internationally renowned Washington D.C.-based Nigerian artist Victor Ekpuk follows the artist's discussion.
http://youtu.be/v3zEsBersP0
ARTICLE:
"The New Art World Rulebook / Outsourcing to China" New York Magazine (dated 22 Apr. 2012)
http://nymag.com/arts/art/rules/kehinde-wiley-2012-4/
Artists fabricating art for artists in the market
NewYorkTimes Article:
http://www.nytimes.com/2006/05/07/arts/design/07fine.html?pagewanted=print
http://youtu.be/_tEY-O3sHFE
Roger Law meets Steve Haines who creates great works of art on behalf of other artists. Listen to the program: http://www.bbc.co.uk/programmes/b0383jgn
Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts
Friday, July 17, 2015
Thursday, July 16, 2015
iARTIST
(Updated July 2014)
http://juliakunin.com/video-statement
"Julia Kunin lives in Brooklyn, New York . She works both in sculpture and video. Her recent ceramic sculptures are miniature otherworldly landscapes inspired by scholar’s rocks and the garden grotto. Ms. Kunin received her BA in 1984 from Wellesley College, and her MFA in 1993 from Rutgers University. Selected one person exhibitions include: Stux Gallery, NY, NY. The Bellevue Saal, Wiesbaden, Germany. Selected Group exhibitions include: Sandra Gering Gallery,NY, Suite 106 Gallery, NY,Schroeder- Romero Gallery, NY, Artists Space, NY, The Museum of Art and Design, NY, and the Museum of Applied Art and Design, Frankfurt, Germany. Selected fellowships include: Marie Walsh Sharpe Art Foundation, Artslink, Yaddo, The Millet Colony,Vermont Studio Center, and Skowhegan."
http://youtu.be/93e8YLFmPbU
http://youtu.be/ZUUKH6bjSDM
(interview format) http://youtu.be/NCedqYBjUa0
http://www.aaronsmithart.com/ "Artist Statement The Victorian/Edwardian eras have always captured my attention. For years I've collected vintage photographs of men of the period. These men for me represent a masculine ideal, if largely a constructed one. Their bearded faces and distinguished attire are spectacular, while their stiff poses and serious expressions belie a certain vulnerability. My recent decision to translate these small colorless photographs into monumental, expressionist portraits is an attempt to ruminate on these contradictions. I also want to draw parallels between the rituals of initiation found in western culture and those practiced in tribal cultures by painting these gentlemen with colors inspired by Bird-of-Paradise and the extravagantly decorated Huli Wigmen of Papua New Guinea." http://youtu.be/cNQRl5iqqeM Sculpture of Balloons: Jason Hackenwerth http://www.jasonhackenwerth.com/#latex-balloon-sculptures/1
William Lamson discusses the creation of Solarium, on view in Storm King's South Fields. Film by Kate Barker-Froyland.
http://vimeo.com/42978999# (William Lamson discusses the creation of Solarium, on view in Storm King's South Fields. Film by Kate Barker-Froyland.)
Alyson Shotz discusses the role of light and her process in her works Mirror Fence and Transitional Objects. Film by Kate Barker-Froyland.
http://vimeo.com/43778270 Alyson Shotz discusses the role of light and her process in her works Mirror Fence and Transitional Objects. Film by Kate Barker-Froyland. .
Alex Israel from stef bloch on Vimeo.
Tania Brugeura at the TATE modern www.youtube.com/watch?v=x7L1s_GWn3o
And finally - a confluence of PR elements On Jean-Ulrick Désert's imaginary postcards from the Negerhosen2000/Travel Album series http://radicalpresenceny.org/wp-content/uploads/2013/08/RP-Jean-Ulrick-Desert_FINAL_DL.mp3 (Newspaper feature and Audio presentation produced by the sponsoring museums Contemporary Art Museum of Houston, Grey Art Gallery NYU/Studio Museum of Harlem /Walker Art Center) 5min AUDIO presentation by the artist:
"Julia Kunin lives in Brooklyn, New York . She works both in sculpture and video. Her recent ceramic sculptures are miniature otherworldly landscapes inspired by scholar’s rocks and the garden grotto. Ms. Kunin received her BA in 1984 from Wellesley College, and her MFA in 1993 from Rutgers University. Selected one person exhibitions include: Stux Gallery, NY, NY. The Bellevue Saal, Wiesbaden, Germany. Selected Group exhibitions include: Sandra Gering Gallery,NY, Suite 106 Gallery, NY,Schroeder- Romero Gallery, NY, Artists Space, NY, The Museum of Art and Design, NY, and the Museum of Applied Art and Design, Frankfurt, Germany. Selected fellowships include: Marie Walsh Sharpe Art Foundation, Artslink, Yaddo, The Millet Colony,Vermont Studio Center, and Skowhegan."
http://youtu.be/93e8YLFmPbU
http://youtu.be/ZUUKH6bjSDM
(interview format) http://youtu.be/NCedqYBjUa0
http://www.aaronsmithart.com/ "Artist Statement The Victorian/Edwardian eras have always captured my attention. For years I've collected vintage photographs of men of the period. These men for me represent a masculine ideal, if largely a constructed one. Their bearded faces and distinguished attire are spectacular, while their stiff poses and serious expressions belie a certain vulnerability. My recent decision to translate these small colorless photographs into monumental, expressionist portraits is an attempt to ruminate on these contradictions. I also want to draw parallels between the rituals of initiation found in western culture and those practiced in tribal cultures by painting these gentlemen with colors inspired by Bird-of-Paradise and the extravagantly decorated Huli Wigmen of Papua New Guinea." http://youtu.be/cNQRl5iqqeM Sculpture of Balloons: Jason Hackenwerth http://www.jasonhackenwerth.com/#latex-balloon-sculptures/1
William Lamson discusses the creation of Solarium, on view in Storm King's South Fields. Film by Kate Barker-Froyland.
http://vimeo.com/42978999# (William Lamson discusses the creation of Solarium, on view in Storm King's South Fields. Film by Kate Barker-Froyland.)
Alyson Shotz discusses the role of light and her process in her works Mirror Fence and Transitional Objects. Film by Kate Barker-Froyland.
http://vimeo.com/43778270 Alyson Shotz discusses the role of light and her process in her works Mirror Fence and Transitional Objects. Film by Kate Barker-Froyland. .
Alex Israel from stef bloch on Vimeo.
Tania Brugeura at the TATE modern www.youtube.com/watch?v=x7L1s_GWn3o
Tuesday, July 14, 2015
BRANDING ART SPECTACLE
(NOTE:Updated 22July2014/ Karawalker-selfie-generator. HyperAllergic with links)
The digital version of this NY Times simulation may be found here http://nytimes-se.com/
And the Backstory of this public spectacle Here (includes VIDEO)
http://theyesmen.org/hijinks/newyorktimes
WRAPPED REICHSTAG, by Christo & Jeanne-claude, BERLIN 1995
From the Artists' website:
"After a struggle spanning the seventies, eighties and nineties, the wrapping of the Reichstag was completed on June 24, 1995 by a work force of 90 professional climbers and 120 installation workers. The Reichstag remained wrapped for 14 days and all materials were recycled. 1,076,390 square feet (100,000 square meters) of thick woven polypropylene fabric with an aluminum surface and 9.7 miles (15.6 kilometers) of blue polypropylene rope, diameter 1.26 inch (3.2 centimeters), were used for the wrapping of the Reichstag. The façades, the towers and the roof were covered by 70 tailor-made fabric panels, twice as much fabric as the surface of the building. The work of art was entirely financed by the artists, as in all previous projects, through the sale of preparatory studies, drawings, collages, scale models as well as early works and original lithographs. The artists do not accept sponsorship of any kind."
YOUTUBE video (timelapse) https://www.youtube.com/watch?v=esiErDm62E4
The late "Francis Bacon" and The Spectacle of WEALTH and the strategies of Art & corporate branding...The AUCTION HOUSE and the Museum or the Gallery as EVENT SPACES where the spectacle is performed --One example of such spectacle is Marina Abramovic http://youtu.be/OS0Tg0IjCp4
http://flavorwire.com/403559/jay-z-and-marina-abramovic-pop-music-stops-ripping-off-high-art-starts-trying-to-become-high-art/
A SUBTLETY, OR THE MARVELOUS SUGARBABY by Artist Kara Walker , 2014, New York City USA
with the assistance of CREATIVE TIME and DOMINO SUGAR Corporation
(Creative Time's PR may be seen HERE http://creativetime.org/projects/karawalker/ )
The Pre-Publicity chronicled the coming of this public spectacle of art:
http://blogs.artinfo.com/the-daily-pic/2014/04/28/daily-pic-kara-walker-on-what-got-her-here/
The artist is interviewed and speaks about the evolution of this specific art project on the tv program ART21 (see video below) or the youtube link: http://www.youtube.com/watch?v=sRkP5rcXtys
The artist is also interviewed for National Public Radio (NPR)
http://www.northcountrypublicradio.org/news/npr/313017716/artist-kara-walker-draws-us-into-bitter-history-with-something-sweet
The cosponsors CREATIVE TIME are interviewed by Kathy Bird of Fresh Art International:
http://freshartinternational.com/2014/05/29/fresh-talk-creative-time-with-kara-walker/
#KaraWalkerDomino was promoted
See: http://hyperallergic.com/135502/lowest-common-denominator-a-kara-walker-selfie-generator/
See: http://web.stagram.com/tag/karawalkerdomino/?npk=1403942532126486
and
See: https://twitter.com/search?q=%23karawalkerdomino&mode=photos
and
https://secure.flickr.com/search/?q=kara%20walker%20domino
Public commentary was not limited to instagram. Platforms such as YELP
http://www.yelp.com/biz/a-subtlety-by-kara-walker-brooklyn
provided the public with a "voice" to articulate their feedback on this mediated sculpture project.
Here are some sample comments:
"Although the front of the Sphinx is what is displayed in photos, the backside was the real buzz!"
"Good Lord I thought I was approaching the Great Wall of China! We arrived in Brooklyn around 2:30pm only to find a line that stretched for blocks. It was almost 90 degrees and I don't recall a breeze.
After lunch we got on line Saturday the 5th , on the eve of the exhibit's closing. Oddly enough it only took us about 1 hour and 10 minutes; I was so relieved!
"Subtlety" also known as "The Marvelous Sugar Baby" exhibit is SOMETHING that you have to see with your very own eyes! 35 feet tall and 40 tons of sparkly white sugar sprayed on to a form, to create this astounding Southern American"
(right) "For the Love of God" by artist Damien Hirst (Left Cambel Soup cans and Skulls by Andy Warhol)
From Wikipedia on this artwork:
"For the Love of God is a sculpture by artist Damien Hirst produced in 2007. It consists of a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds, including a pear-shaped pink diamond located in the forehead that is known as the Skull Star Diamond. The skull's teeth are original, and were purchased by Hirst in London. The artwork is a Memento mori, or reminder of the mortality of the viewer. In 2007, art historian Rudi Fuchs, observed: 'The skull is out of this world, celestial almost. It proclaims victory over decay. At the same time it represents death as something infinitely more relentless. Compared to the tearful sadness of a vanitas scene, the diamond skull is glory itself.'[1] Costing £14 million to produce, the work was placed on its inaugural display at the White Cube gallery in London in an exhibition Beyond belief with an asking price of £50 million. This would have been the highest price ever paid for a single work by a living artist.[2]"
https://en.wikipedia.org/wiki/For_the_Love_of_God
The artist speaks about his Artwork in a short VIDEO via the GUARDIAN Here
http://www.theguardian.com/artanddesign/video/2012/apr/18/damien-hirst-tate-modern-skull-video
( A fuller background on the artist may also be seen on the guardian in discussion over his TATE retrospective http://www.theguardian.com/artanddesign/video/2012/apr/16/damien-hirst-tate-modern-exhibition-tour-video )
And n the USA ..."Jeff Koons Is the Most Successful American Artist Since Warhol. So What’s the Art World Got Against Him?"
http://www.vulture.com/2013/05/age-of-jeff-koons.html
Art Critic Jerry Saltz on the Trouble With Mega-Galleries http://www.vulture.com/2013/10/trouble-with-mega-art-galleries.html
Art Critic Holland Cotter on BIG MONEY in ART http://www.nytimes.com/2014/01/19/arts/design/holland-cotter-looks-at-money-in-art.html?_r=1
Robert Hughes - *The Mona Lisa Curse 1hr 15min "At the end of 1962 the Louvre in Paris loaned Leonardo da Vinci’s Mona Lisa to the U.S. government for exhibit in the United States. The painting was endlessly hyped by the media, resulting in a sort of frenzy, or what arts writer and social historian Robert Hughes came to call, the Mona Lisa Curse." http://youtu.be/JANhr4n4bac
What makes art valuable? - BBC Documentary 1hour Go inside the glittering world of the super-rich as art critic and journalist Alastair Sooke explores the remarkable stories behind the Top Ten Most Valuable Paintings in the World to sell at auction. The documentary tells the stories behind the astronomical prices of art and why the world's richest people want to spend their millions on it. http://youtu.be/QXOPBZFvBQ4
The digital version of this NY Times simulation may be found here http://nytimes-se.com/
And the Backstory of this public spectacle Here (includes VIDEO)
http://theyesmen.org/hijinks/newyorktimes
WRAPPED REICHSTAG, by Christo & Jeanne-claude, BERLIN 1995
From the Artists' website:
"After a struggle spanning the seventies, eighties and nineties, the wrapping of the Reichstag was completed on June 24, 1995 by a work force of 90 professional climbers and 120 installation workers. The Reichstag remained wrapped for 14 days and all materials were recycled. 1,076,390 square feet (100,000 square meters) of thick woven polypropylene fabric with an aluminum surface and 9.7 miles (15.6 kilometers) of blue polypropylene rope, diameter 1.26 inch (3.2 centimeters), were used for the wrapping of the Reichstag. The façades, the towers and the roof were covered by 70 tailor-made fabric panels, twice as much fabric as the surface of the building. The work of art was entirely financed by the artists, as in all previous projects, through the sale of preparatory studies, drawings, collages, scale models as well as early works and original lithographs. The artists do not accept sponsorship of any kind."
YOUTUBE video (timelapse) https://www.youtube.com/watch?v=esiErDm62E4
http://christojeanneclaude.net/projects/wrapped-reichstagThe late "Francis Bacon" and The Spectacle of WEALTH and the strategies of Art & corporate branding...The AUCTION HOUSE and the Museum or the Gallery as EVENT SPACES where the spectacle is performed --One example of such spectacle is Marina Abramovic http://youtu.be/OS0Tg0IjCp4
http://flavorwire.com/403559/jay-z-and-marina-abramovic-pop-music-stops-ripping-off-high-art-starts-trying-to-become-high-art/
A SUBTLETY, OR THE MARVELOUS SUGARBABY by Artist Kara Walker , 2014, New York City USA
with the assistance of CREATIVE TIME and DOMINO SUGAR Corporation
(Creative Time's PR may be seen HERE http://creativetime.org/projects/karawalker/ )
The Pre-Publicity chronicled the coming of this public spectacle of art:
http://blogs.artinfo.com/the-daily-pic/2014/04/28/daily-pic-kara-walker-on-what-got-her-here/
The artist is interviewed and speaks about the evolution of this specific art project on the tv program ART21 (see video below) or the youtube link: http://www.youtube.com/watch?v=sRkP5rcXtys
The artist is also interviewed for National Public Radio (NPR)
http://www.northcountrypublicradio.org/news/npr/313017716/artist-kara-walker-draws-us-into-bitter-history-with-something-sweet
http://freshartinternational.com/2014/05/29/fresh-talk-creative-time-with-kara-walker/
#KaraWalkerDomino was promoted
See: http://hyperallergic.com/135502/lowest-common-denominator-a-kara-walker-selfie-generator/
See: http://web.stagram.com/tag/karawalkerdomino/?npk=1403942532126486
and
See: https://twitter.com/search?q=%23karawalkerdomino&mode=photos
and
#KaraWalkerDomino sugar babies bleeding molasses. Red sweetness shimmers, then shatters. Sugar is slavery. pic.twitter.com/PegT0VFQJk
— Tavia Nyong'o (@Afrofabulist) June 20, 2014
A FLICKR search will produce these astonishing results:https://secure.flickr.com/search/?q=kara%20walker%20domino
Public commentary was not limited to instagram. Platforms such as YELP
http://www.yelp.com/biz/a-subtlety-by-kara-walker-brooklyn
provided the public with a "voice" to articulate their feedback on this mediated sculpture project.
Here are some sample comments:
"Although the front of the Sphinx is what is displayed in photos, the backside was the real buzz!"
"Good Lord I thought I was approaching the Great Wall of China! We arrived in Brooklyn around 2:30pm only to find a line that stretched for blocks. It was almost 90 degrees and I don't recall a breeze.
After lunch we got on line Saturday the 5th , on the eve of the exhibit's closing. Oddly enough it only took us about 1 hour and 10 minutes; I was so relieved!
"Subtlety" also known as "The Marvelous Sugar Baby" exhibit is SOMETHING that you have to see with your very own eyes! 35 feet tall and 40 tons of sparkly white sugar sprayed on to a form, to create this astounding Southern American"
https://en.wikipedia.org/wiki/For_the_Love_of_God
The artist speaks about his Artwork in a short VIDEO via the GUARDIAN Here
http://www.theguardian.com/artanddesign/video/2012/apr/18/damien-hirst-tate-modern-skull-video
( A fuller background on the artist may also be seen on the guardian in discussion over his TATE retrospective http://www.theguardian.com/artanddesign/video/2012/apr/16/damien-hirst-tate-modern-exhibition-tour-video )
And n the USA ..."Jeff Koons Is the Most Successful American Artist Since Warhol. So What’s the Art World Got Against Him?"
http://www.vulture.com/2013/05/age-of-jeff-koons.html
Art Critic Jerry Saltz on the Trouble With Mega-Galleries http://www.vulture.com/2013/10/trouble-with-mega-art-galleries.html
Art Critic Holland Cotter on BIG MONEY in ART http://www.nytimes.com/2014/01/19/arts/design/holland-cotter-looks-at-money-in-art.html?_r=1
Robert Hughes - *The Mona Lisa Curse 1hr 15min "At the end of 1962 the Louvre in Paris loaned Leonardo da Vinci’s Mona Lisa to the U.S. government for exhibit in the United States. The painting was endlessly hyped by the media, resulting in a sort of frenzy, or what arts writer and social historian Robert Hughes came to call, the Mona Lisa Curse." http://youtu.be/JANhr4n4bac
What makes art valuable? - BBC Documentary 1hour Go inside the glittering world of the super-rich as art critic and journalist Alastair Sooke explores the remarkable stories behind the Top Ten Most Valuable Paintings in the World to sell at auction. The documentary tells the stories behind the astronomical prices of art and why the world's richest people want to spend their millions on it. http://youtu.be/QXOPBZFvBQ4
Monday, July 13, 2015
COPY CULTURE
(updated July2014)
"English photographer and video artist. Wearing has described her working method as ‘editing life'. By using photography and video to record the confessions of ordinary people, her work explores the disparities between public and private life, between individual and collective experience. Wearing has cited the influence of English fly-on-the-wall documentaries, such as Michael Apted's 7-up and the 1970s documentary The Family. Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say (1992–3), made shortly after her graduation from Goldsmiths College in 1990, was produced by approaching people on London streets, asking them to write something on a card and then photographing them as they displayed it. Private lives were given a sudden and revealingly painful exposure: a policeman holds a card reading ‘Help!'. With the introduction of video and more in-depth interviewing of her subjects, Wearing began to use adult actors lip-synching the recorded confessions of children, and subjects, solicited from advertisements placed in newspapers, making confessions while wearing masks. The introduction of actors signalled an increasingly dramatic element in her work and a shift away from the use of documentary techniques. The 1999 video I Love You used actors to explore the theme of strong private emotion spilling out into a semi-public domain. The scene of a drunken woman repeatedly screaming ‘I love you' is played out a number of times, the reaction of her three friends differing each time. Wearing won the Turner Prize in 1997."
I am Bradley Manning /2013
I need femenism because...
cambridge-university-students-were-asked-on-campus
In this series- it shifts to what you were told while being raped:
http://www.buzzfeed.com/spenceralthouse/male-survivors-of-sexual-assault-quoting-the-people-who-a
http://projectunbreakable.tumblr.com/post/15538823124/the-idea-that-i-should-be-afraid-of-my-abusers
http://projectunbreakable.tumblr.com
In the cases below the now established method offers familiarity and works for the service of institutions or pushing against some of the examples given above
http://womenagainstfeminism.tumblr.com/
When art migrates from artist to artist...
Andy Warhol (left) Campbell's soup and Skull paintings
and
Damien Hirst (right) For the Love of God and prescription prints
VALIE EXPORT (left) Performance (Genitalpanik) 1969
http://www.moma.org/explore/inside_out/2010/06/02/action-pants-genital-panic/
and
Marina Abramoviç (right) Performance (Genital panic) "7 easy pieces" 2005...2007...
(see short excerpt from approximately by searching ±19:00min – ±25:00min at https://archive.org/details/ubu-abramovic_seven)
Artist Gabriel Orozco's four bicycles and Artists Ai Weiwei's 42 Bicycles
ART and FASHION
http://www.designscene.net/2012/12/jessica-chastain-w-magazine.html
"For W Magazine's latest art meets fashion issue, the magazine has enlisted actress Jessica Chastain and photographer Max Vadukul to
team up with four extraordinary artists and create the latest cover
story. We have Jessica pictured through vision of artists Rineke
Dijkstra, George Condo, Mickalene Thomas, and Chantal Joffe."
Copycat Architecture Rises in China's Building Boom
Published on Mar 13, 2013 China's rapid urbanization has fueled an enormous building boom. According to the Economist Intelligence Unit, China has built housing equivalent to roughly two Spains from 2000 to 2010. Stepping into cities like Hangzhou, one might mistake it for Venice, Italy or London. While copying architectural styles is as old as architecture itself, China has done it on an unprecedented scale and speed.
http://youtu.be/wMj5nbhQQ4c
(Updated: 31May2014,Berlin)
(May2014 Photo Tweeted by first Lady M.Obama) How was this METHOD of "self expression" popularized?
Gillian Wearing,
Signs That Say What You Want Them to Say...,
(Frome Tate modern website):"English photographer and video artist. Wearing has described her working method as ‘editing life'. By using photography and video to record the confessions of ordinary people, her work explores the disparities between public and private life, between individual and collective experience. Wearing has cited the influence of English fly-on-the-wall documentaries, such as Michael Apted's 7-up and the 1970s documentary The Family. Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say (1992–3), made shortly after her graduation from Goldsmiths College in 1990, was produced by approaching people on London streets, asking them to write something on a card and then photographing them as they displayed it. Private lives were given a sudden and revealingly painful exposure: a policeman holds a card reading ‘Help!'. With the introduction of video and more in-depth interviewing of her subjects, Wearing began to use adult actors lip-synching the recorded confessions of children, and subjects, solicited from advertisements placed in newspapers, making confessions while wearing masks. The introduction of actors signalled an increasingly dramatic element in her work and a shift away from the use of documentary techniques. The 1999 video I Love You used actors to explore the theme of strong private emotion spilling out into a semi-public domain. The scene of a drunken woman repeatedly screaming ‘I love you' is played out a number of times, the reaction of her three friends differing each time. Wearing won the Turner Prize in 1997."
I am Bradley Manning /2013
I need femenism because...
cambridge-university-students-were-asked-on-campus
In this series- it shifts to what you were told while being raped:
http://projectunbreakable.tumblr.com/post/15538823124/the-idea-that-i-should-be-afraid-of-my-abusers
http://projectunbreakable.tumblr.com
In the cases below the now established method offers familiarity and works for the service of institutions or pushing against some of the examples given above
http://womenagainstfeminism.tumblr.com/
When art migrates from artist to artist...
Andy Warhol (left) Campbell's soup and Skull paintings
and
Damien Hirst (right) For the Love of God and prescription prints
VALIE EXPORT (left) Performance (Genitalpanik) 1969
http://www.moma.org/explore/inside_out/2010/06/02/action-pants-genital-panic/
and
Marina Abramoviç (right) Performance (Genital panic) "7 easy pieces" 2005...2007...
(see short excerpt from approximately by searching ±19:00min – ±25:00min at https://archive.org/details/ubu-abramovic_seven)
Artist Gabriel Orozco's four bicycles and Artists Ai Weiwei's 42 Bicycles
ART and FASHION
http://www.designscene.net/2012/12/jessica-chastain-w-magazine.html
Copycat Architecture Rises in China's Building Boom
Published on Mar 13, 2013 China's rapid urbanization has fueled an enormous building boom. According to the Economist Intelligence Unit, China has built housing equivalent to roughly two Spains from 2000 to 2010. Stepping into cities like Hangzhou, one might mistake it for Venice, Italy or London. While copying architectural styles is as old as architecture itself, China has done it on an unprecedented scale and speed.
http://youtu.be/wMj5nbhQQ4c
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